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Graphical Phase Response Calculation
The phase response is almost as easy to evaluate graphically as is the
amplitude response:
If
is real, then
is either 0 or
. Terms of the
form
can be interpreted as a vector drawn from the point
to the point
in the complex plane. The angle of
is
the angle of the constructed vector (where a vector pointing
horizontally to the right has an angle of 0). Therefore, the phase
response at frequency
Hz is again obtained by drawing lines from
all the poles and zeros to the point
, as shown in
Fig.8.4. The angles of the lines from the zeros are added, and
the angles of the lines from the poles are subtracted. Thus, at the
frequency
the phase response of the two-pole two-zero filter
in the figure is
.
Figure 8.4:
Measurement of phase response from a pole-zero diagram.
 |
Note that an additional phase of
radians appears when
the number of poles is not equal to the number of zeros. This factor
comes from writing the transfer function as
and may be thought of as arising from

additional zeros at

when

, or

poles at

when

. Strictly
speaking, every
digital filter has an equal number of poles and zeros
when those at

and

are counted. It is customary,
however, when discussing the number of poles and zeros a
filter has,
to neglect these, since they correspond to pure delay and do not
affect the amplitude response. Figure
8.5 gives the phase
response for this two-pole two-zero example.
Figure 8.5:
Phase response obtained from Fig.8.4
for positive frequencies. The point of the phase response
corresponding to the arrows in that figure is marked by a heavy
dot. For real filters, the phase response is
odd (
), so the curve
shown here may be reflected through 0 and negated
to obtain the plot for negative frequencies.
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Previous:
Graphical Computation of
Amplitude Response from
Poles and ZerosNext:
Stability Revisited
written by Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at
Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See
http://ccrma.stanford.edu/~jos/ for details.