Lossless Analog Filters
As discussed in §B.2, the an allpass filter can be defined
as any filter that preserves signal energy for every input
signal
. In the continuous-time case, this means
where

denotes the output signal, and

denotes the
L2 norm of

. Using the
Rayleigh energy theorem
(
Parseval's theorem) for
Fourier transforms [
87],
energy preservation can be expressed in the
frequency domain by
where

and

denote the Fourier transforms of

and

, respectively,
and frequency-domain L2
norms are defined by
If

denotes the
impulse response of the
allpass
filter, then its
transfer function 
is given by the
Laplace transform of

,
and we have the requirement
Since this equality must hold for every input signal

, it must be
true in particular for complex
sinusoidal inputs of the form

, in which case [
87]
where
denotes the Dirac ``delta function'' or continuous
impulse function (§E.4.3). Thus, the allpass condition becomes
which implies
 |
(E.15) |
Suppose

is a rational analog filter, so that
where

and

are polynomials in

:
(We have normalized
so that
is monic (
) without
loss of generality.) Equation (E.15) implies
If

, then the allpass condition reduces to

,
which implies
where

is any real phase constant. In other words,

can be any unit-modulus
complex number. If

, then the
filter is allpass provided
Since this must hold for all

, there are only two solutions:
and
, in which case
for all
.
-
and
, i.e.,
Case (1) is trivially allpass, while case (2) is the one discussed above
in the introduction to this section.
By analytic continuation, we have
If

is real, then

, and we can write
To have

, every
pole at

in

must be canceled
by a zero at

in

, which is a zero at

in

.
Thus, we have derived the simplified ``allpass rule'' for real analog
filters.
Previous: Analog Allpass FiltersNext: Matrix Filter Representations
About the Author: Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at
Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See
http://ccrma.stanford.edu/~jos/ for details.