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Filters and Convolution
A reason for the importance of convolution (defined in
§7.2.4) is that every linear time-invariant
system8.4can be represented by a convolution. Thus, in the
convolution equation
 |
(8.1) |
we may interpret

as the
input signal to a filter,

as the
output signal, and

as the
digital filter, as shown in Fig.
8.12.
Figure 8.12:
The filter interpretation of convolution.
![\includegraphics[scale=0.8]{eps/filterbox}](http://www.dsprelated.com/josimages/mdft/img1524.png) |
The impulse or ``unit pulse'' signal is defined by
For example, for sequences of length

,
![$ \delta = [1,0,0,0]$](http://www.dsprelated.com/josimages/mdft/img1527.png)
.
The impulse signal is the identity element under convolution,
since
If we set

in Eq.

(
8.1) above, we get
Thus,

, which we introduced as the
convolution representation of a
filter, has been shown to be more specifically the
impulse
response of the filter.
It turns out in general that every linear time-invariant (LTI) system
(filter) is completely described by its impulse response [65].
No matter
what the LTI system is, we can feed it an impulse, record what comes
out, call it
, and implement the system by convolving the input
signal
with the impulse response
. In other words, every LTI
system has a
convolution representation in terms of its impulse response.
Subsections
Previous:
Spectrogram of SpeechNext:
Frequency Response
written by Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at
Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See
http://ccrma.stanford.edu/~jos/ for details.