Sign in

username:

password:



Not a member?

Search Online Books



Search tips

Free Online Books

Ads

Chapters

See Also

Embedded SystemsFPGAElectronics
Chapter Contents:

Search Mathematics of the DFT

  

Book Index | Global Index


Would you like to be notified by email when Julius Orion Smith III publishes a new entry into his blog?

  

Sinusoid Magnitude Spectra

A sinusoid's frequency content may be graphed in the frequency domain as shown in Fig.4.6.

Figure 4.6: Spectral magnitude representation of a unit-amplitude sinusoid at frequency $ 100$ Hz such as $ \cos(200\pi t)$ or $ \sin(200\pi t$). (Phase is not shown.)
\begin{figure}\input fig/sinefd.pstex_t
\end{figure}

An example of a particular sinusoid graphed in Fig.4.6 is given by

$\displaystyle x(t) = \cos(\omega_x t)
= \frac{1}{2}e^{j\omega_x t}
+ \frac{1}{2}e^{-j\omega_x t}
$

where

$\displaystyle \omega_x = 2\pi 100.
$

That is, this sinusoid has amplitude 1, frequency 100 Hz, and phase zero (or $ \pi/2$, if $ \sin(\omega_x t)$ is defined as the zero-phase case).

Figure 4.6 can be viewed as a graph of the magnitude spectrum of $ x(t)$, or its spectral magnitude representation [42]. Note that the spectrum consists of two components with amplitude $ 1/2$, one at frequency $ 100$ Hz and the other at frequency $ -100$ Hz.

Phase is not shown in Fig.4.6 at all. The phase of the components could be written simply as labels next to the magnitude arrows, or the magnitude arrows can be rotated ``into or out of the page'' by the appropriate phase angle, as illustrated in Fig.4.16.


Order a Hardcopy of Mathematics of the DFT

Previous: Constructive and Destructive Interference
Next: Exponentials

written by Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See http://ccrma.stanford.edu/~jos/ for details.


Comments


No comments yet for this page


Add a Comment
You need to login before you can post a comment (best way to prevent spam). ( Not a member? )