Bibliography

1

K. J. åAstrom, Introduction to Stochastic Control Theory,
New York: Academic Press, 1970.

2

J. Abel and J. O. Smith, ``Robust design of very high-order allpass dispersion filters,'' Proceedings of the Conference on Digital Audio Effects (DAFx-06), Montreal, Canada, Sept. 2006,
http://www.dafx.de/.

3

J. S. Abel and D. P. Berners, Music 424 Handouts: Signal Processing Techniques for Digital Audio Effects,
http://ccrma.stanford.edu/courses/424/, Spring 2004.

4

M. Abramowitz and I. A. Stegun, eds., Handbook of Mathematical Functions,
New York: Dover, 1965.

5

S. Adachi and M. Sato, ``On the transition of lip-vibration states in the brass instrument,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, (France), pp. 17-22, Société Français d'Acoustique, July 1995.

6

S. Adachi and M. Sato, ``Time-domain simulation of sound production in the brass instrument,'' Journal of the Acoustical Society of America, vol. 97, pp. 3850-3861, 1995.

7

S. Adachi and M. Sato, ``Trumpet sound simulation using a two-dimensional lip vibration model,'' Journal of the Acoustical Society of America, vol. 99, pp. 1200-1209, 1996.

8

J.-M. Adrien, ``The missing link: Modal synthesis,'' in Representations of Musical Signals (G. De Poli, A. Picialli, and C. Roads, eds.), pp. 269-297, Cambridge, MA: MIT Press, 1991.

9

J.-M. Adrien and J. Morrison, ``Mosaïc: A modular program for synthesis by modal superposition,'' in Proceedings of the Colloquium on Physical Modeling, (Grenoble, France), ACROE, 1990.

10

J. Agullo, A. Barjau, and J. Martinez, ``Alternatives to the impulse response h(t) to describe the acoustical behavior of conical ducts,'' Journal of the Acoustical Society of America, vol. 84, pp. 1606-1612, Nov. 1988.

11

J. Agullo, A. Barjau, and J. Martinez, ``Conical bores. Part II: Multiconvolution,'' Journal of the Acoustical Society of America, vol. 84, pp. 1620-1627, Nov. 1988.

12

J. Agullo, A. Barjau, and J. Martinez, ``On the time-domain description of conical bores,'' Journal of the Acoustical Society of America, vol. 91, pp. 1099-1105, Feb. 1992.

13

M. Aird, J. Laird, and J. ffitch, ``Modelling a drum by interfacing 2-D and 3-D waveguide meshes,'' in Proceedings of the International Computer Music Conference, (Berlin, Germany), pp. 82-85, Sept. 2000.

14

J. B. Allen, ``private communication,'' 1983.

15

J. B. Allen and D. A. Berkley, ``Image method for efficiently simulating small-room acoustics,'' Journal of the Acoustical Society of America, vol. 65, pp. 943-950, 1979.

16

J. B. Allen and L. R. Rabiner, ``A unified approach to short-time Fourier analysis and synthesis,'' Proc. IEEE, vol. 65, pp. 1558-1564, Nov. 1977.

17

N. Amir, G. Rosenhouse, and U. Shimony, ``Reconstructing the bore of brass instruments: Theory and experiment,'' in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-93), (Stockholm), pp. 470-475, Royal Swedish Academy of Music, July 1993.

18

N. Amir, G. Rosenhouse, and U. Shimony, ``Discrete model for tubular acoustic systems with varying cross section--the direct and inverse problems. Part 1: Theory,'' Acta Acustica, vol. 81, pp. 450-462, 1995.

19

N. Amir, G. Rosenhouse, and U. Shimony, ``Discrete model for tubular acoustic systems