Sign in

Not a member? | Forgot your Password?

Search Online Books

Search tips

Free Online Books


IIR Filter Design Software

See Also

Embedded SystemsFPGA
Chapter Contents:

Search Physical Audio Signal Processing


Book Index | Global Index

Would you like to be notified by email when Julius Orion Smith III publishes a new entry into his blog?


Digital Waveguides

A (lossless) digital waveguide is defined as a bidirectional delay line at some wave impedance $ R$ [430,433]. Figure 2.11 illustrates one digital waveguide.

Figure 2.11: A digital waveguide $ N$ samples long at wave-impedance $ R$.

As before, each delay line contains a sampled acoustic traveling wave. However, since we now have a bidirectional delay line, we have two traveling waves, one to the ``left'' and one to the ``right'', say. It has been known since 1747 [100] that the vibration of an ideal string can be described as the sum of two traveling waves going in opposite directions. (See Appendix C for a mathematical derivation of this important fact.) Thus, while a single delay line can model an acoustic plane wave, a bidirectional delay line (a digital waveguide) can model any one-dimensional linear acoustic system such as a violin string, clarinet bore, flute pipe, trumpet-valve pipe, or the like. Of course, in real acoustic strings and bores, the 1D waveguides exhibit some loss and dispersion3.4 so that we will need some filtering in the waveguide to obtain an accurate physical model of such systems. The wave impedance $ R$ (derived in Chapter 6) is needed for connecting digital waveguides to other physical simulations (such as another digital waveguide or finite-difference model).

Previous: Summary
Next: Physical Outputs

Order a Hardcopy of Physical Audio Signal Processing

About the Author: Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See for details.


No comments yet for this page

Add a Comment
You need to login before you can post a comment (best way to prevent spam). ( Not a member? )