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Cross Synthesis

Cross-synthesis is the technique of impressing the spectral envelope of one sound on the flattened spectrum of another. A typical example is to impress speech on various natural sounds, such as ``talking wind.'' Let's call the first signal the ``modulating'' signal, and the other the ``carrier'' signal. Then the modulator may be a voice, and the carrier may be any spectrally rich sound such as wind, rain, creaking noises, flute, or other musical instrument sound. Commercial ``vocoders'' (§H.10H.5) used as musical instruments consist of a keyboard synthesizer (for playing the carrier sounds) and a microphone for picking up the voice of the performer (to extract the modulation envelope).

Cross-synthesis may be summarized as consisting of the following steps:

  1. Perform a Short-Time Fourier Transform (STFT) of both the modulator and carrier signals (§6.1).

  2. Compute the spectral envelope of each time-frame (as described in the next section).

  3. Optionally divide the spectrum of each carrier frame by its own spectral envelope, thereby flattening it.

  4. Multiply the flattened spectral frame by the envelope of the corresponding modulator frame, thereby replacing the carrier's envelope by the modulator's envelope.

For an audio example of cross-synthesis (a ``talking organ''), see
http://ccrma.stanford.edu/~jos/SpecEnv/Application_Example_Cross_Synthesis.html

The next section discusses methods for spectral envelope estimation.


Previous: References on Estimation
Next: Spectral Envelope Extraction

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About the Author: Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See http://ccrma.stanford.edu/~jos/ for details.


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