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Cross-synthesis is the technique of impressing the spectral envelope of one sound on the flattened spectrum of another. A typical example is to impress speech on various natural sounds, such as ``talking wind.'' Let's call the first signal the ``modulating'' signal, and the other the ``carrier'' signal. Then the modulator may be a voice, and the carrier may be any spectrally rich sound such as wind, rain, creaking noises, flute, or other musical instrument sound. Commercial ``vocoders'' (§H.10,§H.5) used as musical instruments consist of a keyboard synthesizer (for playing the carrier sounds) and a microphone for picking up the voice of the performer (to extract the modulation envelope).
Cross-synthesis may be summarized as consisting of the following steps:
For an audio example of cross-synthesis (a ``talking organ''), see
http://ccrma.stanford.edu/~jos/SpecEnv/Application_Example_Cross_Synthesis.html
The next section discusses methods for spectral envelope estimation.
