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Fourier Transforms for Continuous/Discrete Time/Frequency
The Fourier transform can be defined for signals which are
- discrete or continuous in time, and
- finite or infinite in duration.
This results in four cases. As you might expect, the
frequency domain
has the same cases:
- discrete or continuous in frequency, and
- finite or infinite in bandwidth.
When time is discrete, the frequency axis is finite, and vice versa.
Reference [243] develops the DFT in detail--the
discrete-time, discrete-frequency case. In the DFT, both the time
and frequency axes are finite in length. Table 2.1 below
summarizes the four Fourier-transform cases corresponding to discrete
or continuous time and/or frequency. They are discussed further in
[243].
Table 2.1:
Four cases of sampled/continuous finite/infinite time
and frequency.
 |
In all four cases, the Fourier transform can be interpreted as
the
inner product of the signal

with a complex
sinusoid at
radian frequency

[
243]:
where

is appropriately adapted,
e.g.,
-
(Fourier transform case),
-
(DTFT case),
-
(DFT case).
In spectral modeling of audio, we usually deal with
indefinitely long signals. Fourier analysis of an indefinitely long
discrete-time signal is carried out using the Discrete Time Fourier
Transform (DTFT). In practical situations we can only deal with
finite-duration signals, so really we will always use the Discrete
Fourier Transform (DFT) [243].
In the remainder of this chapter, the DTFT is defined and selected
Fourier theorems are stated and proved for the DTFT case.
Additionally, the Fourier Transform (FT) is defined, and selected FT
theorems are stated and proved as well. The theorems for the DFT case
are detailed in [243].
Subsections
Previous:
Tighter Bounds for Minimum Window LengthNext:
Discrete Time Fourier Transform (DTFT)
written by Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at
Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See
http://ccrma.stanford.edu/~jos/ for details.
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