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Spectrum Analysis Windows
In spectrum analysis of naturally occurring audio signals, we
nearly always analyze a short segment of a signal, rather than
the whole signal. This is the case for a variety of reasons:
- Perhaps most fundamentally, the ear
similarly Fourier analyzes only a short
segment of audio signals at a time (on the order of 10-20 ms worth).
Therefore, to match our spectrum analysis to human hearing,
we desire to limit the time window of the analysis.
- Audio signals typically have spectra which change over time.
It is therefore usually most meaningful to restrict analysis to a time
window over which the spectrum stays rather constant.
- It can be extremely time consuming to compute the Fourier
transform of an audio signal of typical length, and it will
rarely fit in computer memory all at once.
We will see that the proper way to extract a ``short time segment'' of
length

from a longer signal is to multiply it by a
window
function such as the
Hann window:
We will see that the main benefit of choosing a good Fourier analysis
window function is minimization of side lobes, which cause
``cross-talk'' in the estimated spectrum from one frequency to
another.
The study of spectrum-analysis windows serves other purposes as well.
Most immediately, it provides an array of useful window types which
are best for different situations. Second, by studying windows and
their Fourier transforms, we build up our knowledge of Fourier
dualities in general. Finally, the defining criteria of different
window types often involve interesting and useful analytical
techniques.
In this chapter, we begin with a summary of the rectangular window,
followed by a variety of additional window types, including the
generalized Hamming and Blackman-Harris families (sums of cosines),
Bartlett (triangular), Poisson (exponential), Kaiser (Bessel),
Dolph-Chebyshev, Gaussian, and other window types.
Subsections
Previous:
Relation of Smoothness to Roll-Off RateNext:
Rectangular Window
written by Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at
Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See
http://ccrma.stanford.edu/~jos/ for details.
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