DSPRelated.com
Filtered by topic: Audio Processing [clear filter]
Auditory System for a Mobile Robot

Auditory System for a Mobile Robot

Jean-Marc Valin
Still RelevantAdvanced

The auditory system of living creatures provides useful information about the world, such as the location and interpretation of sound sources. For humans, it means to be able to focus one's attention on events, such as a phone ringing, a vehicle honking, a person taking, etc. For those who do not suffer from hearing impairments, it is hard to imagine a day without being able to hear, especially in a very dynamic and unpredictable world. Mobile robots would also benefit greatly from having auditory capabilities. In this thesis, we propose an artificial auditory system that gives a robot the ability to locate and track sounds, as well as to separate simultaneous sound sources and recognising simultaneous speech. We demonstrate that it is possible to implement these capabilities using an array of microphones, without trying to imitate the human auditory system. The sound source localisation and tracking algorithm uses a steered beamformer to locate sources, which are then tracked using a multi-source particle filter. Separation of simultaneous sound sources is achieved using a variant of the Geometric Source Separation (GSS) algorithm, combined with a multisource post-filter that further reduces noise, interference and reverberation. Speech recognition is performed on separated sources, either directly or by using Missing Feature Theory (MFT) to estimate the reliability of the speech features. The results obtained show that it is possible to track up to four simultaneous sound sources, even in noisy and reverberant environments. Real-time control of the robot following a sound source is also demonstrated. The sound source separation approach we propose is able to achieve a 13.7 dB improvement in signal-to-noise ratio compared to a single microphone when three speakers are present. In these conditions, the system demonstrates more than 80% accuracy on digit recognition, higher than most human listeners could obtain in our small case study when recognising only one of these sources. All these new capabilities will allow humans to interact more naturally with a mobile robot in real life settings.


Auditory Component Analysis Using Perceptual Pattern Recognition to Identify and Extract Independent Components From an Auditory Scene

Auditory Component Analysis Using Perceptual Pattern Recognition to Identify and Extract Independent Components From an Auditory Scene

Jonathan Boley
Still RelevantAdvanced

The cocktail party effect, our ability to separate a sound source from a multitude of other sources, has been researched in detail over the past few decades, and many investigators have tried to model this on computers. Two of the major research areas currently being evaluated for the so-called sound source separation problem are Auditory Scene Analysis (Bregman 1990) and a class of statistical analysis techniques known as Independent Component Analysis (Hyvärinen 2001). This paper presents a methodology for combining these two techniques. It suggests a framework that first separates sounds by analyzing the incoming audio for patterns and synthesizing or filtering them accordingly, measures features of the resulting tracks, and finally separates sounds statistically by matching feature sets and making the output streams statistically independent. Artificial and acoustical mixes of sounds are used to evaluate the signal-to-noise ratio where the signal is the desired source and the noise is comprised of all other sources. The proposed system is found to successfully separate audio streams. The amount of separation is inversely proportional to the amount of reverberation present.


Restoration of Nonlinearly Distorted Optical Soundtracks Using Regularized Inverse Characteristics

Restoration of Nonlinearly Distorted Optical Soundtracks Using Regularized Inverse Characteristics

Tamas B. Bako
Still RelevantAdvanced

This dissertation is concerned with the possibilities of restoration of degraded film-sound. The sound-quality of old films are often not acceptable, which means that the sound is so noisy and distorted that the listener have to take strong efforts to understand the conversations in the film. In this case the film cannot give artistic enjoyment to the listener. This is the reason that several old films cannot be presented in movies or television. The quality of these films can be improved by digital restoration techniques. Since we do not have access to the original signal, only the distorted one, therefore we cannot adjust recording parameters or recording techniques. The only possibility is to post-compensate the signal to produce a better estimate about the undistorted, noiseless signal. In this dissertation new methods are proposed for fast and efficient restoration of nonlinear distortions in the optically recorded film soundtracks. First the nonlinear models and nonlinear restoration techniques are surveyed and the ill-posedness of nonlinear post-compensation (the extreme sensitivity to noise) is explained. The effects and sources of linear and nonlinear distortions at optical soundtracks are also described. A new method is proposed to overcome the ill-posedness of the restoration problem and to get an optimal result. The effectiveness of the algorithm is proven by simulations and restoration of real film-sound signals.


Fundamentals of the DFT (fft) Algorithms

Fundamentals of the DFT (fft) Algorithms

D. Sundararajan
TimelessBeginner

In this article, a physical explanation of the fundamentals of the DFT (fft) algorithms is presented in terms of waveform decomposition. After reading the article and trying the examples, the reader is expected to gain a clear understanding of the basics of the mysterious DFT (fft) algorithms.


Audio Time-Scale Modification

Audio Time-Scale Modification

David Dorran
Still RelevantAdvanced

Audio time-scale modification is an audio effect that alters the duration of an audio signal without affecting its perceived local pitch and timbral characteristics. There are two broad categories of time-scale modification algorithms, time-domain and frequency-domain. The computationally efficient time-domain techniques produce high quality results for single pitched signals such as speech, but do not cope well with more complex signals such as polyphonic music. The less efficient frequencydomain techniques have proven to be more robust and produce high quality results for a variety of signals; however they introduce a reverberant artefact into the output. This dissertation focuses on incorporating aspects of time-domain techniques into frequency-domain techniques in an attempt to reduce the presence of the reverberant artefact and improve upon computational demands. From a review of prior work it was found that there are a number of time-domain algorithms available and that the choice of algorithm parameters varies considerably in the literature. This finding prompted an investigation into the effects of the choice of parameters and a comparison of the various techniques employed in terms of computational requirements and output quality. The investigation resulted in the derivation of an efficient and flexible parameter set for use within time-domain implementations. Of the available frequency-domain approaches the phase vocoder and timedomain/ subband techniques offer an efficiency and robustness advantage over sinusoidal modelling and iterative phase update techniques, and as such were identified as suitable candidates for the provision of a framework for further investigation. Following from this observation, improvements in the quality produced by time-domain/subband techniques are realised through the use of a bark based subband partitioning approach and effective subband synchronisation techniques. In addition, computational and output quality improvements within a phase vocoder implementation are achieved by taking advantage of a certain level of flexibility in the choice of phase within such an implementation. The phase flexibility established is used to push or pull phase values into a phase coherent state. Further improvements are realised by incorporating features of time-domain algorithms into the system in order to provide a ‘good’ initial set of phase estimates; the transition to ‘perfect’ phase coherence is significantly reduced through this scheme, thereby improving the overall output quality produced. The result is a robust and efficient time-scale modification algorithm which draws upon various aspects of a number of general approaches to time-scale modification.


Acoustic Echo Cancellation using Digital Signal Processing

Acoustic Echo Cancellation using Digital Signal Processing

Michael Hutson
Still RelevantIntermediate

Acoustic echo cancellation is a common occurrence in todays telecommunication systems. It occurs when an audio source and sink operate in full duplex mode, an example of this is a hands-free loudspeaker telephone. In this situation the received signal is output through the telephone loudspeaker (audio source), this audio signal is then reverberated through the physical environment and picked up by the systems microphone (audio sink). The effect is the return to the distant user of time delayed and attenuated images of their original speech signal. The signal interference caused by acoustic echo is distracting to both users and causes a reduction in the quality of the communication. This thesis focuses on the use of adaptive filtering techniques to reduce this unwanted echo, thus increasing communication quality. Adaptive filters are a class of filters that iteratively alter their parameters in order to minimise a function of the difference between a desired target output and their output. In the case of acoustic echo in telecommunications, the optimal output is an echoed signal that accurately emulates the unwanted echo signal. This is then used to negate the echo in the return signal. The better the adaptive filter emulates this echo, the more successful the cancellation will be. This thesis examines various techniques and algorithms of adaptive filtering, employing discrete signal processing in MATLAB. Also a real-time implementation of an adaptive echo cancellation system has been developed using the Texas Instruments TMS320C6711 DSP development kit.


Introduction to Digital Signal Processing

Introduction to Digital Signal Processing

Paolo Prandoni
TimelessBeginner

Nice slides introducing Digital Signal Processing.


Interaction with Sound and Pre-Recorded Music: Novel Interfaces and Use Patterns

Interaction with Sound and Pre-Recorded Music: Novel Interfaces and Use Patterns

Tue Haste Andersen
Still RelevantIntermediate

Computers are changing the way sound and recorded music are listened to and used. The use of computers to playback music makes it possible to change and adapt music to different usage situations in ways that were not possible with analog sound equipment. In this thesis, interaction with pre-recorded music is investigated using prototypes and user studies. First, different interfaces for browsing music on consumer or mobile devices were compared. It was found that the choice of input controller, mapping and auditory feedback influences how the music was searched and how the interfaces were perceived. Search performance was not affected by the tested interfaces. Based on this study, several ideas for the future design of music browsing interfaces were proposed. Indications that search time depends linearly on distance to target were observed and examined in a related study where a movement time model for searching in a text document using scrolling was developed. Second, work practices of professional disc jockeys (DJs) were studied and a new design for digital DJing was proposed and tested. Strong indications were found that the use of beat information could reduce the DJ’s cognitive workload while maintaining flexibility during the musical performance. A system for automatic beat extraction was designed based on an evaluation of a number of perceptually important parameters extracted from audio signals. Finally, auditory feedback in pen-gesture interfaces was investigated through a series of informal and formal experiments. The experiments point to several general rules of auditory feedback in pen-gesture interfaces: a few simple functions are easy to achieve, gaining further performance and learning advantage is difficult, the gesture set and its computerized recognizer can be designed to minimize visual dependence, and positive emotional or aesthetic response can be achieved using musical auditory feedback.


An application of neural networks to adaptive playout delay in VoIP

An application of neural networks to adaptive playout delay in VoIP

Ying Zhang, Damien Fay
Still RelevantIntermediate

The statistical nature of data traffic and the dynamic routing techniques employed in IP networks results in a varying network delay (jitter) experienced by the individual IP packets which form a VoIP flow. As a result voice packets generated at successive and periodic intervals at a source will typically be buffered at the receiver prior to playback in order to smooth out the jitter. However, the additional delay introduced by the playout buffer degrades the quality of service. Thus, the ability to forecast the jitter is an integral part of selecting an appropriate buffer size. This paper compares several neural network based models for adaptive playout buffer selection and in particular a novel combined wavelet transform/neural network approach is proposed. The effectiveness of these algorithms is evaluated using recorded VoIP traces by comparing the buffering delay and the packet loss ratios for each technique. In addition, an output speech signal is reconstructed based on the packet loss information for each algorithm and the perceptual quality of the speech is then estimated using the PESQ MOS algorithm. Simulation results indicate that proposed Haar-Wavelets-Packet MLP and Statistical-Model MLP adaptive scheduling schemes offer superior performance.


Hidden Markov Model based recognition of musical pattern in South Indian Classical Music

Hidden Markov Model based recognition of musical pattern in South Indian Classical Music

M.S. Sinith, K. Rajeev
Still RelevantIntermediate

Automatic recognition of musical patterns plays a crucial part in Musicological and Ethno musicological research and can become an indispensable tool for the search and comparison of music extracts within a large multimedia database. This paper finds an efficient method for recognizing isolated musical patterns in a monophonic environment, using Hidden Markov Model. Each pattern, to be recognized, is converted into a sequence of frequency jumps by means of a fundamental frequency tracking algorithm, followed by a quantizer. The resulting sequence of frequency jumps is presented to the input of the recognizer which use Hidden Markov Model. The main characteristic of Hidden Markov Model is that it utilizes the stochastic information from the musical frame to recognize the pattern. The methodology is tested in the context of South Indian Classical Music, which exhibits certain characteristics that make the classification task harder, when compared with Western musical tradition. Recognition of 100% has been obtained for the six typical music pattern used in practise. South Indian classical instrument, flute is used for the whole experiment.