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Auditory Component Analysis Using Perceptual Pattern Recognition to Identify and Extract Independent Components From an Auditory Scene

Auditory Component Analysis Using Perceptual Pattern Recognition to Identify and Extract Independent Components From an Auditory Scene

Jonathan Boley
Still RelevantAdvanced

The cocktail party effect, our ability to separate a sound source from a multitude of other sources, has been researched in detail over the past few decades, and many investigators have tried to model this on computers. Two of the major research areas currently being evaluated for the so-called sound source separation problem are Auditory Scene Analysis (Bregman 1990) and a class of statistical analysis techniques known as Independent Component Analysis (Hyvärinen 2001). This paper presents a methodology for combining these two techniques. It suggests a framework that first separates sounds by analyzing the incoming audio for patterns and synthesizing or filtering them accordingly, measures features of the resulting tracks, and finally separates sounds statistically by matching feature sets and making the output streams statistically independent. Artificial and acoustical mixes of sounds are used to evaluate the signal-to-noise ratio where the signal is the desired source and the noise is comprised of all other sources. The proposed system is found to successfully separate audio streams. The amount of separation is inversely proportional to the amount of reverberation present.


Restoration of Nonlinearly Distorted Optical Soundtracks Using Regularized Inverse Characteristics

Restoration of Nonlinearly Distorted Optical Soundtracks Using Regularized Inverse Characteristics

Tamas B. Bako
Still RelevantAdvanced

This dissertation is concerned with the possibilities of restoration of degraded film-sound. The sound-quality of old films are often not acceptable, which means that the sound is so noisy and distorted that the listener have to take strong efforts to understand the conversations in the film. In this case the film cannot give artistic enjoyment to the listener. This is the reason that several old films cannot be presented in movies or television. The quality of these films can be improved by digital restoration techniques. Since we do not have access to the original signal, only the distorted one, therefore we cannot adjust recording parameters or recording techniques. The only possibility is to post-compensate the signal to produce a better estimate about the undistorted, noiseless signal. In this dissertation new methods are proposed for fast and efficient restoration of nonlinear distortions in the optically recorded film soundtracks. First the nonlinear models and nonlinear restoration techniques are surveyed and the ill-posedness of nonlinear post-compensation (the extreme sensitivity to noise) is explained. The effects and sources of linear and nonlinear distortions at optical soundtracks are also described. A new method is proposed to overcome the ill-posedness of the restoration problem and to get an optimal result. The effectiveness of the algorithm is proven by simulations and restoration of real film-sound signals.


Through-Wall Imaging with UWB Radar System

Through-Wall Imaging with UWB Radar System

Ing. Michal Aftanas, PhD.
Still RelevantAdvanced

Motivation: A man was interested in knowing of unknown from the very beginning of the human history. Our human eyes help us to investigate our environment by reflection of light. However, wavelengths of visible light allows transparent view through only a very small kinds of materials. On the other hand, Ultra WideBand (UWB) electromagnetic waves with frequencies of few Gigahertz are able to penetrate through almost all types of materials around us. With some sophisticated methods and a piece of luck we are able to investigate what is behind opaque walls. Rescue and security of the people is one of the most promising fields for such applications. Rescue: Imagine how useful can be information about interior of the barricaded building with terrorists and hostages inside for a policemen. The tactics of police raid can be build up on realtime information about ground plan of the room and positions of big objects inside. How useful for the firemen can be information about current interior state of the room before they get inside? Such hazardous environment, full of smoke with zero visibility, is very dangerous and each additional information can make the difference between life and death. Security: Investigating objects through plastic, rubber, dress or other nonmetallic materials could be highly useful as an additional tool to the existing x-ray scanners. Especially it could be used for scanning baggage at the airport, truckloads on borders, dangerous boxes, etc.


Fundamentals of the DFT (fft) Algorithms

Fundamentals of the DFT (fft) Algorithms

D. Sundararajan
TimelessBeginner

In this article, a physical explanation of the fundamentals of the DFT (fft) algorithms is presented in terms of waveform decomposition. After reading the article and trying the examples, the reader is expected to gain a clear understanding of the basics of the mysterious DFT (fft) algorithms.


Audio Time-Scale Modification

Audio Time-Scale Modification

David Dorran
Still RelevantAdvanced

Audio time-scale modification is an audio effect that alters the duration of an audio signal without affecting its perceived local pitch and timbral characteristics. There are two broad categories of time-scale modification algorithms, time-domain and frequency-domain. The computationally efficient time-domain techniques produce high quality results for single pitched signals such as speech, but do not cope well with more complex signals such as polyphonic music. The less efficient frequencydomain techniques have proven to be more robust and produce high quality results for a variety of signals; however they introduce a reverberant artefact into the output. This dissertation focuses on incorporating aspects of time-domain techniques into frequency-domain techniques in an attempt to reduce the presence of the reverberant artefact and improve upon computational demands. From a review of prior work it was found that there are a number of time-domain algorithms available and that the choice of algorithm parameters varies considerably in the literature. This finding prompted an investigation into the effects of the choice of parameters and a comparison of the various techniques employed in terms of computational requirements and output quality. The investigation resulted in the derivation of an efficient and flexible parameter set for use within time-domain implementations. Of the available frequency-domain approaches the phase vocoder and timedomain/ subband techniques offer an efficiency and robustness advantage over sinusoidal modelling and iterative phase update techniques, and as such were identified as suitable candidates for the provision of a framework for further investigation. Following from this observation, improvements in the quality produced by time-domain/subband techniques are realised through the use of a bark based subband partitioning approach and effective subband synchronisation techniques. In addition, computational and output quality improvements within a phase vocoder implementation are achieved by taking advantage of a certain level of flexibility in the choice of phase within such an implementation. The phase flexibility established is used to push or pull phase values into a phase coherent state. Further improvements are realised by incorporating features of time-domain algorithms into the system in order to provide a ‘good’ initial set of phase estimates; the transition to ‘perfect’ phase coherence is significantly reduced through this scheme, thereby improving the overall output quality produced. The result is a robust and efficient time-scale modification algorithm which draws upon various aspects of a number of general approaches to time-scale modification.


Acoustic Echo Cancellation using Digital Signal Processing

Acoustic Echo Cancellation using Digital Signal Processing

Michael Hutson
Still RelevantIntermediate

Acoustic echo cancellation is a common occurrence in todays telecommunication systems. It occurs when an audio source and sink operate in full duplex mode, an example of this is a hands-free loudspeaker telephone. In this situation the received signal is output through the telephone loudspeaker (audio source), this audio signal is then reverberated through the physical environment and picked up by the systems microphone (audio sink). The effect is the return to the distant user of time delayed and attenuated images of their original speech signal. The signal interference caused by acoustic echo is distracting to both users and causes a reduction in the quality of the communication. This thesis focuses on the use of adaptive filtering techniques to reduce this unwanted echo, thus increasing communication quality. Adaptive filters are a class of filters that iteratively alter their parameters in order to minimise a function of the difference between a desired target output and their output. In the case of acoustic echo in telecommunications, the optimal output is an echoed signal that accurately emulates the unwanted echo signal. This is then used to negate the echo in the return signal. The better the adaptive filter emulates this echo, the more successful the cancellation will be. This thesis examines various techniques and algorithms of adaptive filtering, employing discrete signal processing in MATLAB. Also a real-time implementation of an adaptive echo cancellation system has been developed using the Texas Instruments TMS320C6711 DSP development kit.


Introduction to Digital Signal Processing

Introduction to Digital Signal Processing

Paolo Prandoni
TimelessBeginner

Nice slides introducing Digital Signal Processing.


A DGPS/Radiobeacon Receiver for Minimum Shift Keying with Soft Decision Capabilities

A DGPS/Radiobeacon Receiver for Minimum Shift Keying with Soft Decision Capabilities

Tim Wescott
Still RelevantAdvanced

The Global Positioning System (GPS) is now in operation, and many improvements to its performance are being sought. One such improvement is Differential GPS (DGPS), where known errors in the GPS broadcast are identified and the corrections broadcast to the end user. One implementation of DGPS being considered is the use of coastal marine radio direction finding (RDF) radiobeacons in the 285-325kHz band as transmitters for the DGPS broadcast. The normal RDF beacon signal consists of a continuous carrier on a one kilohertz boundary plus a Morse-code identification signal 1025Hz above the carrier. In the DGPS/radiobeacon implementation proposed for the US coastal regions, the differential data link signal uses minimum shift keying (MSK) at a data rate of 25, 50, 100, 200 or 400 baud (the exact baud rat has not yet been decided). This MSK signal is centered between the RDF beacon carrier and identification signal. At the frequencies that these radiobeacons are operated, the prevailing atmospheric noise is both non-Gaussian and very strong. This noise characteristic makes the design of a long-range data link difficult. One solution that has been proposed is the use of forward error correction (FEC) coding of the data. The performance of FEC decoders can be improved by the used of a soft decision receiver, which delivers both bit decisions and information about the validity of the bit decisions. This work describes the design of a radio receiver for DGPS/Radiobeacon servics which is capable of reception of 400 baud MSK in the DGPS/Radiobeacon band. The receiver is designed to be easily augmented to provide soft decisions and easily modified to recieve MSK at data rates of 25 to 400 baud. The radio is a microprocessor controlled dual conversion superheterodyne with an audio frequency of 1kHz. The demodulator runs on the same microprocessor that controls the radio. The weak-signal performance of the demodulator is very good: the Eb/No vs. bit error rate performance of the demodulator is only a couple of dB worse than the theoretical performance of differential phase-shift keying. The radio has a noise floor of -114dBm referenced to it's 500Hz wide audio bandwidth and a 3rd order intermodulation intercept of +7dBm for a dynamic range of 83dB. This work concludes with a thumbnail analysis of the operations needed to implement a soft bit decision estimator, and some suggestions for the implementation of said soft bit decision estimator.


IMPLEMENTATION OF PERIODOGRAM SMOOTHING OF NOISYIMPLEMENTATION OF PERIODOGRAM SMOOTHING OF NOISY SIGNALS USING TMS320C6713 DSK

IMPLEMENTATION OF PERIODOGRAM SMOOTHING OF NOISYIMPLEMENTATION OF PERIODOGRAM SMOOTHING OF NOISY SIGNALS USING TMS320C6713 DSK

B D Satish, Tanmay Gupta
Still RelevantAdvanced

Periodogram Smoothing is a technique of power spectrum estimation. The discrete Fourier transform of a digital signal simply resolves the frequency components. The algorithm is implemented on Texas Instruments’ TMS320C6713 DSP Starter Kit (DSK). This is a 32-bit floating-point digital signal processor running at 225 MHz. The programs are basically written in the C programming language. However, those sections of code which are time-critical and memory-critical are written in assembly language of C6713. A MATLAB™ graphical user interface is also provided. The MATLAB™ program calls C programs loaded in Code Composer Studio (CCS). The C programs in turn call the assembly programs when required.


Hidden Markov Model based recognition of musical pattern in South Indian Classical Music

Hidden Markov Model based recognition of musical pattern in South Indian Classical Music

M.S. Sinith, K. Rajeev
Still RelevantIntermediate

Automatic recognition of musical patterns plays a crucial part in Musicological and Ethno musicological research and can become an indispensable tool for the search and comparison of music extracts within a large multimedia database. This paper finds an efficient method for recognizing isolated musical patterns in a monophonic environment, using Hidden Markov Model. Each pattern, to be recognized, is converted into a sequence of frequency jumps by means of a fundamental frequency tracking algorithm, followed by a quantizer. The resulting sequence of frequency jumps is presented to the input of the recognizer which use Hidden Markov Model. The main characteristic of Hidden Markov Model is that it utilizes the stochastic information from the musical frame to recognize the pattern. The methodology is tested in the context of South Indian Classical Music, which exhibits certain characteristics that make the classification task harder, when compared with Western musical tradition. Recognition of 100% has been obtained for the six typical music pattern used in practise. South Indian classical instrument, flute is used for the whole experiment.