Reply by robert bristow-johnson●March 23, 20152015-03-23
On 3/22/15 9:45 PM, gyansorova@gmail.com wrote:
> http://www.celemony.com/en/start
>
> I have heard that this tool can split an orchestral audio into its component instruments.
> I was unaware that we had the technology as yet but I think the trick is in how it is recorded with two mics near the front and two at the back or something like that.
before melodyne, i thought i knew a lot about pitch detection, pitch
shifting, and even something about source separation (at least i thought
i understood how a duet could be separated into two solo parts).
after melodyne, i know who the giants (or giant) are.
i am extremely jealous of Peter Neub�cker (and i have a lotta respect
for him). a few years back, i was trying to get him to appear at AES
for a workshop on pitch shifting. even got a direct email address from
a german connection in AES (the current chair of the Technical Committee
on Signal Processing). never heard back.
(so presume from that whether i have the foggiest idea how melodyne works.)
oh well. there comes a time for any person to face his/her inadequacies.
:-(
--
r b-j rbj@audioimagination.com
"Imagination is more important than knowledge."
Reply by ●March 22, 20152015-03-22
http://www.celemony.com/en/start
I have heard that this tool can split an orchestral audio into its component instruments.
I was unaware that we had the technology as yet but I think the trick is in how it is recorded with two mics near the front and two at the back or something like that.