Reply by January 27, 20202020-01-27
On Tuesday, October 15, 2019 at 7:57:58 PM UTC-7, Steve Pope wrote:

(snip)

> I would hire a professional musician, rather than believing that > DSP is some sort of holy grail for all tasks in the world.
> Hint: many in the real world are just not down with engineers > believing they can replace musicians. It's bad form at minimum... > some would call us scabs. Musicians who can do this are paid > union scale.
Many musicians I have known are also interested in math or physics or engineering, so I suspect that you wouldn't have such a hard time finding someone interested in both. Reminds me, though, of Shazam: https://www.shazam.com/ Shazam will identify a musical recording given a small sample of an often noisy version of the source. Not so obvious, it makes an exact match to the original. That is, it won't just identify the musical piece but the exact CD that it came from. They do this by extracting some parts of the signal, certain frequency ranges, fingerprint those, and then compare them with saved fingerprints. That is, they have the ability to compress a musical composition down to a fairly small number of bits, and match up those bits.
Reply by Steve Pope November 18, 20192019-11-18
Eric Jacobsen <theman@ericjacobsen.org> wrote:

>On Fri, 15 Nov 2019 13:12:39 +0000 (UTC), spope384@gmail.com (Steve
>Pope) wrote: > >>Another aspect - companding at the endpoint may not be sufficient. >> >>"Radio ready" mixes are often not simply compressed, but tweaked to >>the source material by engineers. >> >>https://www.sageaudio.com/blog/pre-mastering-tips/mixing-radio.php
>It does drive me a little bit bonkers when two tunes play >back-to-back, on SiriusXM or broadcast radio or whatever, and a >significant volume adjustment is required because of the differences >in mixing. Kind of like how they used to predistort commercials to >make them seem louder. So not everybody is doing this uniformly and >it's probably just annoying people. ;)
>Back in the day there were standards for the analog deviation on FM >signals and in the FM audio subcarrier for NTSC TV signals. Maybe >there still is, as our local NPR FM station always requires adjusting >the volume up a lot more than most other broadcast stations, and >public broadcast has historically been notorious for sticking to >published regs...i.e., everybody else probably turns up their >deviation a bit.
>When I was in grad school I took care of some of the engineering for a >local low-power TV station that swapped out an (illegal) modulator for >a more kosher one. The equipment needed to set the audio deviation >per the technical regs wasn't available so I just took a little >portable TV with me to the transmitter shack and adjusted the >deviation until it sounded about like everybody else, i.e., I didn't >have to adjust the volume when I tuned between it and other stations.
Yes, it does seem the rules re. FM deviation (i.e. you couldn't undermodulate) have been abandonded. I still listen to a lot of FM radio -- mostly college radio -- and they feel free to have very quiet sections of audio. Also, one no longer is required to have at least a 3rd Class Radiotelephone Engineer on site when broadcasing. But for vehicular listening you do want to compress the dynamic range. I hear casettes are making a comeback. Back then, if making cassettes to listen to in the car, I'd just turn on the limiter and shove the input levels away up. Primitive technology works. Steve
Reply by Eric Jacobsen November 15, 20192019-11-15
On Fri, 15 Nov 2019 13:12:39 +0000 (UTC), spope384@gmail.com (Steve
Pope) wrote:

>Steve Pope <spope384@gmail.com> wrote: > >>Eric Jacobsen <theman@ericjacobsen.org> wrote: > >>>If transmitting to different devices I don't know why that wouldn't >>>just be handled at the terminal device. Keeping the dgitized signal >>>linear allows use at any device with a little bit of processing at the >>>device to suit that device or installation. Not sure why companding >>>would be distributed in a digital transmission. > >>Certainly. OP had compained about the "compressed" audio though... >>worth disambiguating what was going on. > >Another aspect - companding at the endpoint may not be sufficient. > >"Radio ready" mixes are often not simply compressed, but tweaked to >the source material by engineers. > >https://www.sageaudio.com/blog/pre-mastering-tips/mixing-radio.php > > >Steve
It does drive me a little bit bonkers when two tunes play back-to-back, on SiriusXM or broadcast radio or whatever, and a significant volume adjustment is required because of the differences in mixing. Kind of like how they used to predistort commercials to make them seem louder. So not everybody is doing this uniformly and it's probably just annoying people. ;) Back in the day there were standards for the analog deviation on FM signals and in the FM audio subcarrier for NTSC TV signals. Maybe there still is, as our local NPR FM station always requires adjusting the volume up a lot more than most other broadcast stations, and public broadcast has historically been notorious for sticking to published regs...i.e., everybody else probably turns up their deviation a bit. When I was in grad school I took care of some of the engineering for a local low-power TV station that swapped out an (illegal) modulator for a more kosher one. The equipment needed to set the audio deviation per the technical regs wasn't available so I just took a little portable TV with me to the transmitter shack and adjusted the deviation until it sounded about like everybody else, i.e., I didn't have to adjust the volume when I tuned between it and other stations. So it's not that hard, and it just seems annoying when it gets overdone. /End grumpy rant.
Reply by Steve Pope November 15, 20192019-11-15
Steve Pope <spope384@gmail.com> wrote:

>Eric Jacobsen <theman@ericjacobsen.org> wrote:
>>If transmitting to different devices I don't know why that wouldn't >>just be handled at the terminal device. Keeping the dgitized signal >>linear allows use at any device with a little bit of processing at the >>device to suit that device or installation. Not sure why companding >>would be distributed in a digital transmission.
>Certainly. OP had compained about the "compressed" audio though... >worth disambiguating what was going on.
Another aspect - companding at the endpoint may not be sufficient. "Radio ready" mixes are often not simply compressed, but tweaked to the source material by engineers. https://www.sageaudio.com/blog/pre-mastering-tips/mixing-radio.php Steve
Reply by Steve Pope November 14, 20192019-11-14
Eric Jacobsen <theman@ericjacobsen.org> wrote:

>If transmitting to different devices I don't know why that wouldn't >just be handled at the terminal device. Keeping the dgitized signal >linear allows use at any device with a little bit of processing at the >device to suit that device or installation. Not sure why companding >would be distributed in a digital transmission.
Certainly. OP had compained about the "compressed" audio though... worth disambiguating what was going on. Steve
Reply by Eric Jacobsen November 13, 20192019-11-13
On Mon, 11 Nov 2019 18:34:13 +0000 (UTC), spope384@gmail.com (Steve
Pope) wrote:

>Eric Jacobsen <theman@ericjacobsen.org> wrote: > >>>Sirius FM is designed to be listened to in vehicles, where you need/want >>>to listene to a compressed signal. ("Compressed" in the sense of, >>>listening though a compander set for compression, not in the sense of >>>bit-rate compression.) > >>>Do they not have an uncompressed option for residential users? > >>They have a ton of channels now that aren't broadcast, but available >>streaming on-line only. I think some of them may be free to >>non-subscribers, but you can check on their website if interested. >> >>I've no idea what level of compression they apply or don't to the >>on-line streaming stuff, but I'd be surprised if they ever send >>uncompressed content just because it would be a waste of BW. > >I may not have been clear but -- "compressed" in that the audio is >possibly compressed, not in that the bit-stream is compressed (which >it clearly must be). > >Steve
If transmitting to different devices I don't know why that wouldn't just be handled at the terminal device. Keeping the dgitized signal linear allows use at any device with a little bit of processing at the device to suit that device or installation. Not sure why companding would be distributed in a digital transmission.
Reply by Steve Pope November 11, 20192019-11-11
Eric Jacobsen <theman@ericjacobsen.org> wrote:

>>Sirius FM is designed to be listened to in vehicles, where you need/want >>to listene to a compressed signal. ("Compressed" in the sense of, >>listening though a compander set for compression, not in the sense of >>bit-rate compression.)
>>Do they not have an uncompressed option for residential users?
>They have a ton of channels now that aren't broadcast, but available >streaming on-line only. I think some of them may be free to >non-subscribers, but you can check on their website if interested. > >I've no idea what level of compression they apply or don't to the >on-line streaming stuff, but I'd be surprised if they ever send >uncompressed content just because it would be a waste of BW.
I may not have been clear but -- "compressed" in that the audio is possibly compressed, not in that the bit-stream is compressed (which it clearly must be). Steve
Reply by Eric Jacobsen November 11, 20192019-11-11
On Sun, 3 Nov 2019 17:14:20 +0000 (UTC), spope384@gmail.com (Steve
Pope) wrote:

>Randy Yates <yates@digitalsignallabs.com> wrote: > >>I'm on the fence with Sirius XM (just got a trial subscription a couple >>months back). There are distinct times when the compression sounds like >>&^$*%, but the selection sure is nice. > >Sirius FM is designed to be listened to in vehicles, where you need/want >to listene to a compressed signal. ("Compressed" in the sense of, >listening though a compander set for compression, not in the sense of >bit-rate compression.) > >Do they not have an uncompressed option for residential users? > >Steve
They have a ton of channels now that aren't broadcast, but available streaming on-line only. I think some of them may be free to non-subscribers, but you can check on their website if interested. I've no idea what level of compression they apply or don't to the on-line streaming stuff, but I'd be surprised if they ever send uncompressed content just because it would be a waste of BW.
Reply by Randy Yates November 3, 20192019-11-03
spope384@gmail.com (Steve Pope) writes:

> Randy Yates <yates@digitalsignallabs.com> wrote: > >>I'm on the fence with Sirius XM (just got a trial subscription a couple >>months back). There are distinct times when the compression sounds like >>&^$*%, but the selection sure is nice. > > Sirius FM is designed to be listened to in vehicles, where you need/want > to listene to a compressed signal. ("Compressed" in the sense of, > listening though a compander set for compression, not in the sense of > bit-rate compression.) > > Do they not have an uncompressed option for residential users? > > Steve
Steve, I was referring to vehicle listening, and compression in the sense of lossy signal source compression, not dynamic range compression. While it may be a necessary evil, that is not something I or anyone else really wants, but I think most people now just put up with it, or don't even notice it due to years of this becoming the "norm." -- Randy Yates, DSP/Embedded Firmware Developer Digital Signal Labs http://www.digitalsignallabs.com
Reply by Steve Pope November 3, 20192019-11-03
Randy Yates  <yates@digitalsignallabs.com> wrote:

>I'm on the fence with Sirius XM (just got a trial subscription a couple >months back). There are distinct times when the compression sounds like >&^$*%, but the selection sure is nice.
Sirius FM is designed to be listened to in vehicles, where you need/want to listene to a compressed signal. ("Compressed" in the sense of, listening though a compander set for compression, not in the sense of bit-rate compression.) Do they not have an uncompressed option for residential users? Steve