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Properties of DB Scales

In every kind of dB, a factor of 10 in amplitude increase corresponds to a 20 dB boost (increase by 20 dB):

$\displaystyle 20\log_{10}\left(\frac{10 \cdot A}{A_{\mbox{\small ref}}}\right)
...
...)}_{\mbox{$20$\ dB}} + 20\log_{10}\left(\frac{A}{A_{\mbox{\small ref}}}\right)
$

and $ 20\log_{10}(10) = 20$, of course. A function $ f(x)$ which is proportional to $ 1/x$ is said to ``fall off'' (or ``roll off'') at the rate of $ 20$ dB per decade. That is, for every factor of $ 10$ in $ x$ (every ``decade''), the amplitude drops $ 20$ dB.

Similarly, a factor of 2 in amplitude gain corresponds to a 6 dB boost:

$\displaystyle 20\log_{10}\left(\frac{2 \cdot A}{A_{\mbox{\small ref}}}\right)
=...
...2)}_{\mbox{$6$\ dB}}
+ 20\log_{10}\left(\frac{A}{A_{\mbox{\small ref}}}\right)
$

and

$\displaystyle 20\log_{10}(2) = 6.0205999\ldots \approx 6 \;$   dB$\displaystyle . \protect$

A function $ f(x)$ which is proportional to $ 1/x$ is said to fall off $ 6$ dB per octave. That is, for every factor of $ 2$ in $ x$ (every ``octave''), the amplitude drops close to $ 6$ dB. Thus, 6 dB per octave is the same thing as 20 dB per decade.

A doubling of power corresponds to a 3 dB boost:

$\displaystyle 10\log_{10}\left(\frac{2 \cdot A^2}{A^2_{\mbox{\small ref}}}\righ...
...{\mbox{$3$\ dB}}
+ 10\log_{10}\left(\frac{A^2}{A^2_{\mbox{\small ref}}}\right)
$

and

$\displaystyle 10\log_{10}(2) = 3.010\ldots \approx 3\;$dB$\displaystyle . \protect$

Finally, note that the choice of reference merely determines a vertical offset in the dB scale:

$\displaystyle 20\log_{10}\left(\frac{A}{A_{\mbox{\small ref}}}\right)
= 20\log_...
...(A) - \underbrace{20\log_{10}(A_{\mbox{\small ref}})}_{\mbox{constant offset}}
$


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Previous: Decibels
Next: Specific DB Scales

written by Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See http://ccrma.stanford.edu/~jos/ for details.


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