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Alternate Stability Criterion

In §5.6 (page [*]), a filter was defined to be stable if its impulse response $ h(n)$ decays to 0 in magnitude as time $ n$ goes to infinity. In §6.8.5, we saw that the impulse response of every finite-order LTI filter can be expressed as a possible FIR part (which is always stable) plus a linear combination of terms of the form $ a_i(n)p_i^n$, where $ a_i(n)$ is some finite-order polynomial in $ n$, and $ p_i$ is the $ i$th pole of the filter. In this form, it is clear that the impulse response always decays to zero when each pole is strictly inside the unit circle of the $ z$ plane, i.e., when $ \vert p_i\vert<1$. Thus, having all poles strictly inside the unit circle is a sufficient criterion for filter stability. If the filter is observable (meaning that there are no pole-zero cancellations in the transfer function from input to output), then this is also a necessary criterion.

A transfer function with no pole-zero cancellations is said to be irreducible. For example, $ H(z) = (1+z^{-1})/(1-z^{-1})$ is irreducible, while $ H(z) = (1-z^{-2})/(1-2z^{-2}+z^{-2})$ is reducible, since there is the common factor of $ (1-z^{-1})$ in the numerator and denominator. Using this terminology, we may state the following stability criterion:

$\textstyle \parbox{0.8\textwidth}{\emph{An irreducible transfer function
$H(z)$\ is stable if and only if its poles have magnitude less
than one.}}$
This characterization of stability is pursued further in §8.4, and yet another stability test (most often used in practice) is given in §8.4.1.


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Previous: So What's Up with Repeated Poles?
Next: Summary of the Partial Fraction Expansion

written by Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See http://ccrma.stanford.edu/~jos/ for details.


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