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Introduction to Laplace Transform Analysis
The one-sided Laplace transform of a signal
is defined
by
where

is real and

is a
complex variable. The
one-sided Laplace transform is also called the
unilateral
Laplace transform. There is also a
two-sided, or
bilateral, Laplace transform obtained by setting the lower
integration limit to

instead of 0. Since we will be
analyzing only
causalD.1 linear systems using the Laplace transform, we can use
either. However, it is customary in engineering treatments to use the
one-sided definition.
When evaluated along the
axis (i.e.,
), the
Laplace transform reduces to the unilateral Fourier transform:
The Fourier transform is normally defined bilaterally (

above), but for
causal signals 
, there is no
difference. We see that the Laplace transform can be viewed as a
generalization of the Fourier transform from the real line (a simple
frequency axis) to the entire
complex plane. We say that the Fourier
transform is obtained by evaluating the Laplace transform along the

axis in the complex

plane.
An advantage of the Laplace transform is the ability to transform signals which
have no Fourier transform. To see this, we can write the Laplace
transform as
Thus, the Laplace transform can be seen as the Fourier transform of an
exponentially windowed input signal.
For

(the so-called ``
strict right-half plane'' (RHP)), this
exponential weighting
forces the Fourier-transformed signal toward
zero as

. As long as the signal

does not increase
faster than

for some

, its Laplace transform will exist for all

. We make this more precise in the next section.
Subsections
Previous:
Allpass ProblemsNext:
Existence of the Laplace Transform
written by Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at
Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See
http://ccrma.stanford.edu/~jos/ for details.