Search Physical Audio Signal Processing
Book Index | Global Index
Would you like to be notified by email when Julius Orion Smith III publishes a new entry into his blog?
Achieving Desired Reverberation Times
A lossless prototype reverberator, as in Fig.3.10 when
,
has all of its poles on the unit circle in the
plane, and its
reverberation time is infinity. To set the reverberation time to a
desired value, we need to move the poles slightly inside the unit
circle. Furthermore, due to air absorption
(§2.3,§B.7.15), we want the high-frequency
poles to be more damped than the low-frequency poles
[314]. As discussed in §2.3, this type
of transformation can be obtained using the substitution
 |
(4.5) |
where

denotes the
filtering per sample in the
propagation medium (a
lowpass filter with gain not exceeding 1 at all
frequencies).
4.14Thus, to set the
FDN reverberation time to

at frequency

,
we want propagation through

samples to result in attenuation
by
dB,
i.e.,
![$\displaystyle \left[G(e^{j\omega T})\right]^{n_{60}(\omega)} \eqsp 0.001. \protect$](http://www.dsprelated.com/josimages_new/pasp/img818.png) |
(4.6) |
Solving for

, the propagation attenuation per-sample, gives
The last form comes from

ln

, where

denotes the
time constant of decay (time to decay by

)
[
451],
i.e.,
ln |
(4.8) |
Series expanding

and assuming

samples (

seconds) provides the practically useful approximation
Subsections
Previous: Prime
Power Delay-Line LengthsNext: Conformal Map Interpretation of Damping Substitution
About the Author: Julius Orion Smith III
Julius Smith's background is in electrical engineering (BS Rice 1975, PhD Stanford 1983). He is presently Professor of Music and Associate Professor (by courtesy) of Electrical Engineering at
Stanford's Center for Computer Research in Music and Acoustics (CCRMA), teaching courses and pursuing research related to signal processing applied to music and audio systems. See
http://ccrma.stanford.edu/~jos/ for details.