Introduction of C Programming for DSP Applications
Appendix C of the book : Real-Time Digital Signal Processing: Implementations, Application and Experiments with the TMS320C55X
An Introduction To Compressive Sampling
This article surveys the theory of compressive sensing, also known as compressed sensing or CS, a novel sensing/sampling paradigm that goes against the common wisdom in data acquisition.
Introduction to Compressed Sensing
Chapter 1 of the book: "Compressed Sensing: Theory and Applications".
C++ Tutorial
This tutorial is for those people who want to learn programming in C++ and do not necessarily have any previous knowledge of other programming languages. Of course any knowledge of other programming languages or any general computer skill can be useful to better understand this tutorial, although it is not essential. It is also suitable for those who need a little update on the new features the language has acquired from the latest standards. If you are familiar with the C language, you can take the first 3 parts of this tutorial as a review of concepts, since they mainly explain the C part of C++. There are slight differences in the C++ syntax for some C features, so I recommend you its reading anyway. The 4th part describes object-oriented programming. The 5th part mostly describes the new features introduced by ANSI-C++ standard.
Computing FFT Twiddle Factors
In this document are two algorithms showing how to compute the individual twiddle factors of an N-point decimation-in-frequency (DIF) and an N-point decimation-in-time (DIT) FFT.
Generating Complex Baseband and Analytic Bandpass Signals
There are so many different time- and frequency-domain methods for generating complex baseband and analytic bandpass signals that I had trouble keeping those techniques straight in my mind. Thus, for my own benefit, I created a kind of reference table showing those methods. I present that table for your viewing pleasure in this document.
How Discrete Signal Interpolation Improves D/A Conversion
Earlier this year, for the Linear Audio magazine, published in the Netherlands whose subscribers are technically-skilled hi-fi audio enthusiasts, I wrote an article on the fundamentals of interpolation as it's used to improve the performance of analog-to-digital conversion. Perhaps that article will be of some value to the subscribers of dsprelated.com. Here's what I wrote: We encounter the process of digital-to-analog conversion every day—in telephone calls (land lines and cell phones), telephone answering machines, CD & DVD players, iPhones, digital television, MP3 players, digital radio, and even talking greeting cards. This material is a brief tutorial on how sample rate conversion improves the quality of digital-to-analog conversion.
Understanding the 'Phasing Method' of Single Sideband Demodulation
There are four ways to demodulate a transmitted single sideband (SSB) signal. Those four methods are: synchronous detection, phasing method, Weaver method, and filtering method. Here we review synchronous detection in preparation for explaining, in detail, how the phasing method works. This blog contains lots of preliminary information, so if you're already familiar with SSB signals you might want to scroll down to the 'SSB DEMODULATION BY SYNCHRONOUS DETECTION' section.
A pole-zero placement technique for designing second-order IIR parametric equalizer filters
A new procedure is presented for designing second-order parametric equalizer filters. In contrast to the traditional approach, in which the design is based on a bilinear transform of an analog filter, the presented procedure allows for designing the filter directly in the digital domain. A rather intuitive technique known as pole-zero placement, is treated here in a quantitative way. It is shown that by making some meaningful approximations, a set of relatively simple design equations can be obtained. Design examples of both notch and resonance filters are included to illustrate the performance of the proposed method, and to compare with state-of-the-art solutions.
Hybrid Floating Point Technique Yields 1.2 Gigasample Per Second 32 to 2048 point Floating Point FFT in a single FPGA
Hardware Digital Signal Processing, especially hardware targeted to FPGAs, has traditionally been done using fixed point arithmetic, mainly due to the high cost associated with implementing floating point arithmetic. That cost comes in the form of increased circuit complexity. The increase circuit complexity usually also degrades maximum clock performance. Certain applications demand the dynamic range offered by floating point hardware, and yet require the speeds and circuit density usually associated with fixed point hardware. The Fourier transform is one DSP building block that frequently requires floating point dynamic range. Textbook construction of a pipelined floating point FFT engine capable of continuous input entails dozens of floating point adders and multipliers. The complexity of those circuits quickly exceeds the resources available on a single FPGA. This paper describes a technique that is a hybrid of fixed point and floating point operations designed to significantly reduce the overhead for floating point. The results are illustrated with an FFT processor that performs 32, 64, 128, 256, 512, 1024 and 2048 point Fourier transforms with IEEE single precision floating point inputs and outputs. The design achieves sufficient density to realize a continuous complex data rate of 1.2 Gigasamples per second data throughput using a single Virtex4-SX55-10 device.
A New Approach to Linear Filtering and Prediction Problems
In 1960, R.E. Kalman published his famous paper describing a recursive solution to the discrete-data linear filtering problem. Since that time, due in large part to advances in digital computing, the Kalman filter has been the subject of extensive research and application, particularly in the area of autonomous or assisted navigation.
Update To: A Wide-Notch Comb Filter
This article presents alternatives to the wide-notch comb filter described in Reference [1].
A Review of Physical and Perceptual Feature Extraction Techniques for Speech, Music and Environmental Sounds
Endowing machines with sensing capabilities similar to those of humans is a prevalent quest in engineering and computer science. In the pursuit of making computers sense their surroundings, a huge effort has been conducted to allow machines and computers to acquire, process, analyze and understand their environment in a human-like way. Focusing on the sense of hearing, the ability of computers to sense their acoustic environment as humans do goes by the name of machine hearing. To achieve this ambitious aim, the representation of the audio signal is of paramount importance. In this paper, we present an up-to-date review of the most relevant audio feature extraction techniques developed to analyze the most usual audio signals: speech, music and environmental sounds. Besides revisiting classic approaches for completeness, we include the latest advances in the field based on new domains of analysis together with novel bio-inspired proposals. These approaches are described following a taxonomy that organizes them according to their physical or perceptual basis, being subsequently divided depending on the domain of computation (time, frequency, wavelet, image-based, cepstral, or other domains). The description of the approaches is accompanied with recent examples of their application to machine hearing related problems.
Implementing Simultaneous Digital Differentiation, Hilbert Transformation, and Half-Band Filtering
Recently I've been thinking about digital differentiator and Hilbert transformer implementations and I've developed a processing scheme that may be of interest to the readers here on dsprelated.com.
Generating Complex Baseband and Analytic Bandpass Signals
There are so many different time- and frequency-domain methods for generating complex baseband and analytic bandpass signals that I had trouble keeping those techniques straight in my mind. Thus, for my own benefit, I created a kind of reference table showing those methods. I present that table for your viewing pleasure in this document.
The DFT Magnitude of a Real-valued Cosine Sequence
This article may seem a bit trivial to some readers here but, then again, it might be of some value to DSP beginners. It presents a mathematical proof of what is the magnitude of an N-point discrete Fourier transform (DFT) when the DFT's input is a real-valued sinusoidal sequence.
Using the DFT as a Filter: Correcting a Misconception
I have read, in some of the literature of DSP, that when the discrete Fourier transform (DFT) is used as a filter the process of performing a DFT causes an input signal's spectrum to be frequency translated down to zero Hz (DC). I can understand why someone might say that, but I challenge that statement as being incorrect. Here are my thoughts.
