## Multirate Systems and Filter Banks

●2 commentsDuring the last two decades, multirate filter banks have found various applications in many different areas, such as speech coding, scrambling, adaptive signal processing, image compression, signal and image processing applications as well as transmission of several signals through the same channel. The main idea of using multirate filter banks is the ability of the system to separate in the frequency domain the signal under consideration into two or more signals or to compose two or more different signals into a single signal.

## A Review of Physical and Perceptual Feature Extraction Techniques for Speech, Music and Environmental Sounds

●1 commentEndowing machines with sensing capabilities similar to those of humans is a prevalent quest in engineering and computer science. In the pursuit of making computers sense their surroundings, a huge effort has been conducted to allow machines and computers to acquire, process, analyze and understand their environment in a human-like way. Focusing on the sense of hearing, the ability of computers to sense their acoustic environment as humans do goes by the name of machine hearing. To achieve this ambitious aim, the representation of the audio signal is of paramount importance. In this paper, we present an up-to-date review of the most relevant audio feature extraction techniques developed to analyze the most usual audio signals: speech, music and environmental sounds. Besides revisiting classic approaches for completeness, we include the latest advances in the field based on new domains of analysis together with novel bio-inspired proposals. These approaches are described following a taxonomy that organizes them according to their physical or perceptual basis, being subsequently divided depending on the domain of computation (time, frequency, wavelet, image-based, cepstral, or other domains). The description of the approaches is accompanied with recent examples of their application to machine hearing related problems.

## Peak-to-Average Power Ratio and CCDF

Peak to Average Power Ratio (PAPR) is often used to characterize digitally modulated signals. One example application is setting the level of the signal in a digital modulator. Knowing PAPR allows setting the average power to a level that is just low enough to minimize clipping.

## Digital PLL's - Part 2

In Part 1, we found the time response of a 2nd order PLL with a proportional + integral (lead-lag) loop filter. Now let's look at this PLL in the Z-domain.

## The Swiss Army Knife of Digital Networks

●4 commentsThis article describes a general discrete-signal network that appears, in various forms, inside so many DSP applications.

## Digital PLL's -- Part 1

●3 commentsWe will use Matlab to model the DPLL in the time and frequency domains (Simulink is also a good tool for modeling a DPLL in the time domain). Part 1 discusses the time domain model; the frequency domain model will be covered in Part 2. The frequency domain model will allow us to calculate the loop filter parameters to give the desired bandwidth and damping, but it is a linear model and cannot predict acquisition behavior. The time domain model can be made almost identical to the gate-level system, and as such, is able to model acquisition.

## Decimator Image Response

This article presents a way to compute and plot the image response of a decimator. I'm defining the image response as the unwanted spectrum of the impulse response after downsampling, relative to the desired passband response.

## Filter a Rectangular Pulse with no Ringing

To filter a rectangular pulse without any ringing, there is only one requirement on the filter coefficients: they must all be positive. However, if we want the leading and trailing edge of the pulse to be symmetrical, then the coefficients must be symmetrical. What we are describing is basically a window function.

## Digital Envelope Detection: The Good, the Bad, and the Ugly

●9 commentsRecently I've been thinking about the process of envelope detection. Tutorial information on this topic is readily available but that information is spread out over a number of DSP textbooks and many Internet web sites. The purpose of this blog is to summarize various digital envelope detection methods in one place. Here I focus of envelope detection as it is applied to an amplitude-fluctuating sinusoidal signal where the positive-amplitude fluctuations (the sinusoid's envelope) contain some sort of information. Let's begin by looking at the simplest envelope detection method.

## Python For Audio Signal Processing

●4 commentsThis paper discusses the use of Python for developing audio signal processing applications. Overviews of Python language, NumPy, SciPy and Matplotlib are given, which together form a powerful platform for scientific computing. We then show how SciPy was used to create two audio programming libraries, and describe ways that Python can be integrated with the SndObj library and Pure Data, two existing environments for music composition and signal processing.

## A Quadrature Signals Tutorial: Complex, But Not Complicated

●5 commentsQuadrature signals are based on the notion of complex numbers and perhaps no other topic causes more heartache for newcomers to DSP than these numbers and their strange terminology of j operator, complex, imaginary, real, and orthogonal. If you're a little unsure of the physical meaning of complex numbers and the j = √-1 operator, don't feel bad because you're in good company. Why even Karl Gauss, one the world's greatest mathematicians, called the j operator the "shadow of shadows". Here we'll shine some light on that shadow so you'll never have to call the Quadrature Signal Psychic Hotline for help. Quadrature signal processing is used in many fields of science and engineering, and quadrature signals are necessary to describe the processing and implementation that takes place in modern digital communications systems. In this tutorial we'll review the fundamentals of complex numbers and get comfortable with how they're used to represent quadrature signals. Next we examine the notion of negative frequency as it relates to quadrature signal algebraic notation, and learn to speak the language of quadrature processing. In addition, we'll use three-dimensional time and frequency-domain plots to give some physical meaning to quadrature signals. This tutorial concludes with a brief look at how a quadrature signal can be generated by means of quadrature-sampling.

## Digital Envelope Detection: The Good, the Bad, and the Ugly

●9 commentsRecently I've been thinking about the process of envelope detection. Tutorial information on this topic is readily available but that information is spread out over a number of DSP textbooks and many Internet web sites. The purpose of this blog is to summarize various digital envelope detection methods in one place. Here I focus of envelope detection as it is applied to an amplitude-fluctuating sinusoidal signal where the positive-amplitude fluctuations (the sinusoid's envelope) contain some sort of information. Let's begin by looking at the simplest envelope detection method.

## Understanding the 'Phasing Method' of Single Sideband Demodulation

●5 commentsThere are four ways to demodulate a transmitted single sideband (SSB) signal. Those four methods are: synchronous detection, phasing method, Weaver method, and filtering method. Here we review synchronous detection in preparation for explaining, in detail, how the phasing method works. This blog contains lots of preliminary information, so if you're already familiar with SSB signals you might want to scroll down to the 'SSB DEMODULATION BY SYNCHRONOUS DETECTION' section.

## Python For Audio Signal Processing

●4 commentsThis paper discusses the use of Python for developing audio signal processing applications. Overviews of Python language, NumPy, SciPy and Matplotlib are given, which together form a powerful platform for scientific computing. We then show how SciPy was used to create two audio programming libraries, and describe ways that Python can be integrated with the SndObj library and Pure Data, two existing environments for music composition and signal processing.

## Computing FFT Twiddle Factors

●2 commentsIn this document are two algorithms showing how to compute the individual twiddle factors of an N-point decimation-in-frequency (DIF) and an N-point decimation-in-time (DIT) FFT.

## Digital Signal Processor Fundamentals and System Design

●8 commentsDigital Signal Processors (DSPs) have been used in accelerator systems for more than fifteen years and have largely contributed to the evolution towards digital technology of many accelerator systems, such as machine protection, diagnostics and control of beams, power supply and motors. This paper aims at familiarising the reader with DSP fundamentals, namely DSP characteristics and processing development. Several DSP examples are given, in particular on Texas Instruments DSPs, as they are used in the DSP laboratory companion of the lectures this paper is based upon. The typical system design flow is described; common difficulties, problems and choices faced by DSP developers are outlined; and hints are given on the best solution.

## The Swiss Army Knife of Digital Networks

●4 commentsThis article describes a general discrete-signal network that appears, in various forms, inside so many DSP applications.

## Introduction of C Programming for DSP Applications

●5 commentsAppendix C of the book : Real-Time Digital Signal Processing: Implementations, Application and Experiments with the TMS320C55X

## Complex Digital Signal Processing in Telecommunications

●2 commentsDigital Signal Processing (DSP) is a vital tool for scientists and engineers, as it is of fundamental importance in many areas of engineering practice and scientific research. The "alphabet" of DSP is mathematics and although most practical DSP problems can be solved by using real number mathematics, there are many others which can only be satisfactorily resolved or adequately described by means of complex numbers. If real number mathematics is the language of real DSP, then complex number mathematics is the language of complex DSP. In the same way that real numbers are a part of complex numbers in mathematics, real DSP can be regarded as a part of complex DSP (Smith, 1999). Complex mathematics manipulates complex numbers - the representation of two variables as a single number - and it may appear that complex DSP has no obvious connection with our everyday experience, especially since many DSP problems are explained mainly by means of real number mathematics. Nonetheless, some DSP techniques are based on complex mathematics, such as Fast Fourier Transform (FFT), z-transform, representation of periodical signals and linear systems, etc. However, the imaginary part of complex transformations is usually ignored or regarded as zero due to the inability to provide a readily comprehensible physical explanation. One well-known practical approach to the representation of an engineering problem by means of complex numbers can be referred to as the assembling approach: the real and imaginary parts of a complex number are real variables and individually can represent two real physical parameters. Complex math techniques are used to process this complex entity once it is assembled. The real and imaginary parts of the resulting complex variable preserve the same real physical parameters. This approach is not universally-applicable and can only be used with problems and applications which conform to the requirements of complex math techniques. Making a complex number entirely mathematically equivalent to a substantial physical problem is the real essence of complex DSP. Like complex Fourier transforms, complex DSP transforms show the fundamental nature of complex DSP and such complex techniques often increase the power of basic DSP methods. The development and application of complex DSP are only just beginning to increase and for this reason some researchers have named it theoretical DSP. It is evident that complex DSP is more complicated than real DSP. Complex DSP transforms are highly theoretical and mathematical; to use them efficiently and professionally requires a large amount of mathematics study and practical experience. Complex math makes the mathematical expressions used in DSP more compact and solves the problems which real math cannot deal with. Complex DSP techniques can complement our understanding of how physical systems perform but to achieve this, we are faced with the necessity of dealing with extensive sophisticated mathematics. For DSP professionals there comes a point at which they have no real choice since the study of complex number mathematics is the foundation of DSP.