Decimator Image Response
This article presents a way to compute and plot the image response of a decimator. I'm defining the image response as the unwanted spectrum of the impulse response after downsampling, relative to the desired passband response.
Filter a Rectangular Pulse with no Ringing
To filter a rectangular pulse without any ringing, there is only one requirement on the filter coefficients: they must all be positive. However, if we want the leading and trailing edge of the pulse to be symmetrical, then the coefficients must be symmetrical. What we are describing is basically a window function.
Digital Envelope Detection: The Good, the Bad, and the Ugly
Recently I've been thinking about the process of envelope detection. Tutorial information on this topic is readily available but that information is spread out over a number of DSP textbooks and many Internet web sites. The purpose of this blog is to summarize various digital envelope detection methods in one place. Here I focus of envelope detection as it is applied to an amplitude-fluctuating sinusoidal signal where the positive-amplitude fluctuations (the sinusoid's envelope) contain some sort of information. Let's begin by looking at the simplest envelope detection method.
Python For Audio Signal Processing
This paper discusses the use of Python for developing audio signal processing applications. Overviews of Python language, NumPy, SciPy and Matplotlib are given, which together form a powerful platform for scientific computing. We then show how SciPy was used to create two audio programming libraries, and describe ways that Python can be integrated with the SndObj library and Pure Data, two existing environments for music composition and signal processing.
Lecture Notes on Elliptic Filter Design
Elliptic filters, also known as Cauer or Zolotarev filters, achieve the smallest filter order for the same specifications, or, the narrowest transition width for the same filter order, as compared to other filter types. On the negative side, they have the most nonlinear phase response over their passband. In these notes, we are primarily concerned with elliptic filters. But we will also discuss briefly the design of Butterworth, Chebyshev-1, and Chebyshev-2 filters and present a unified method of designing all cases. We also discuss the design of digital IIR filters using the bilinear transformation method.
Optimizing the Half-band Filters in Multistage Decimation and Interpolation
This article discusses a not so well-known rule regarding the filtering in multistage decimation and interpolation by an integer power of two.
The DFT Magnitude of a Real-valued Cosine Sequence
This article may seem a bit trivial to some readers here but, then again, it might be of some value to DSP beginners. It presents a mathematical proof of what is the magnitude of an N-point discrete Fourier transform (DFT) when the DFT's input is a real-valued sinusoidal sequence.
Sum of Two Equal-Frequency Sinusoids
The sum of two equal-frequency real sinusoids is itself a single real sinusoid. However, the exact equations for all the various forms of that single equivalent sinusoid are difficult to find in the signal processing literature. Here we provide those equations.
Using the DFT as a Filter: Correcting a Misconception
I have read, in some of the literature of DSP, that when the discrete Fourier transform (DFT) is used as a filter the process of performing a DFT causes an input signal's spectrum to be frequency translated down to zero Hz (DC). I can understand why someone might say that, but I challenge that statement as being incorrect. Here are my thoughts.
Negative Group Delay
Dispersive linear systems with negative group delay have caused much confusion in the past. Some claim that they violate causality, others that they are the cause of superluminal tunneling. Can we really receive messages before they are sent? This article aims at pouring oil in the fire and causing yet more confusion :-).
Sum of Two Equal-Frequency Sinusoids
The sum of two equal-frequency real sinusoids is itself a single real sinusoid. However, the exact equations for all the various forms of that single equivalent sinusoid are difficult to find in the signal processing literature. Here we provide those equations.
The Swiss Army Knife of Digital Networks
This article describes a general discrete-signal network that appears, in various forms, inside so many DSP applications.
Method to Calculate the Inverse of a Complex Matrix using Real Matrix Inversion
This paper describes a simple method to calculate the invers of a complex matrix. The key element of the method is to use a matrix inversion, which is available and optimised for real numbers. Some actual libraries used for digital signal processing only provide highly optimised methods to calculate the inverse of a real matrix, whereas no solution for complex matrices are available, like in [1]. The presented algorithm is very easy to implement, while still much more efficient than for example the method presented in [2]. [1] Visual DSP++ 4.0 C/C++ Compiler and Library Manual for TigerSHARC Processors; Analog Devices; 2005. [2] W. Press, S.A. Teukolsky, W.T. Vetterling, B.R. Flannery; Numerical Recipes in C++, The art of scientific computing, Second Edition; p52 : “Complex Systems of Equations”;Cambridge University Press 2002.
A Wide-Notch Comb Filter
This article describes a linear-phase comb filter having wider stopband notches than a traditional comb filter.
Acoustic Echo Cancellation using Digital Signal Processing
Acoustic echo cancellation is a common occurrence in todays telecommunication systems. It occurs when an audio source and sink operate in full duplex mode, an example of this is a hands-free loudspeaker telephone. In this situation the received signal is output through the telephone loudspeaker (audio source), this audio signal is then reverberated through the physical environment and picked up by the systems microphone (audio sink). The effect is the return to the distant user of time delayed and attenuated images of their original speech signal. The signal interference caused by acoustic echo is distracting to both users and causes a reduction in the quality of the communication. This thesis focuses on the use of adaptive filtering techniques to reduce this unwanted echo, thus increasing communication quality. Adaptive filters are a class of filters that iteratively alter their parameters in order to minimise a function of the difference between a desired target output and their output. In the case of acoustic echo in telecommunications, the optimal output is an echoed signal that accurately emulates the unwanted echo signal. This is then used to negate the echo in the return signal. The better the adaptive filter emulates this echo, the more successful the cancellation will be. This thesis examines various techniques and algorithms of adaptive filtering, employing discrete signal processing in MATLAB. Also a real-time implementation of an adaptive echo cancellation system has been developed using the Texas Instruments TMS320C6711 DSP development kit.
Digital Filtering in the Frequency Domain
Time domain digital filtering, whether implemented using FIR or IIR techniques, has been very well documented in literature and been thoroughly used in many base band processor designs. However, with the advent of software defined radios as well as CPU support in more recent baseband processors, it has become possible and often desirable to filter signals in software rather than digital hardware. Whereas, time domain digital filtering can certainly be implemented in software as well, it becomes highly inefficient as the number of filter taps grows. Frequency domain filtering, using FFT and IFFT operations, is significantly more efficient and surprisingly easy to understand. This document introduces the reader to frequency domain filtering both in theory and in practice via a MatLab script.
How Discrete Signal Interpolation Improves D/A Conversion
Earlier this year, for the Linear Audio magazine, published in the Netherlands whose subscribers are technically-skilled hi-fi audio enthusiasts, I wrote an article on the fundamentals of interpolation as it's used to improve the performance of analog-to-digital conversion. Perhaps that article will be of some value to the subscribers of dsprelated.com. Here's what I wrote: We encounter the process of digital-to-analog conversion every day—in telephone calls (land lines and cell phones), telephone answering machines, CD & DVD players, iPhones, digital television, MP3 players, digital radio, and even talking greeting cards. This material is a brief tutorial on how sample rate conversion improves the quality of digital-to-analog conversion.
Reducing IIR Filter Computational Workload
This document describes a straightforward method to significantly reduce the number of necessary multiplies per input sample of traditional IIR lowpass and highpass digital filters.
Complex Digital Signal Processing in Telecommunications
Digital Signal Processing (DSP) is a vital tool for scientists and engineers, as it is of fundamental importance in many areas of engineering practice and scientific research. The "alphabet" of DSP is mathematics and although most practical DSP problems can be solved by using real number mathematics, there are many others which can only be satisfactorily resolved or adequately described by means of complex numbers. If real number mathematics is the language of real DSP, then complex number mathematics is the language of complex DSP. In the same way that real numbers are a part of complex numbers in mathematics, real DSP can be regarded as a part of complex DSP (Smith, 1999). Complex mathematics manipulates complex numbers - the representation of two variables as a single number - and it may appear that complex DSP has no obvious connection with our everyday experience, especially since many DSP problems are explained mainly by means of real number mathematics. Nonetheless, some DSP techniques are based on complex mathematics, such as Fast Fourier Transform (FFT), z-transform, representation of periodical signals and linear systems, etc. However, the imaginary part of complex transformations is usually ignored or regarded as zero due to the inability to provide a readily comprehensible physical explanation. One well-known practical approach to the representation of an engineering problem by means of complex numbers can be referred to as the assembling approach: the real and imaginary parts of a complex number are real variables and individually can represent two real physical parameters. Complex math techniques are used to process this complex entity once it is assembled. The real and imaginary parts of the resulting complex variable preserve the same real physical parameters. This approach is not universally-applicable and can only be used with problems and applications which conform to the requirements of complex math techniques. Making a complex number entirely mathematically equivalent to a substantial physical problem is the real essence of complex DSP. Like complex Fourier transforms, complex DSP transforms show the fundamental nature of complex DSP and such complex techniques often increase the power of basic DSP methods. The development and application of complex DSP are only just beginning to increase and for this reason some researchers have named it theoretical DSP. It is evident that complex DSP is more complicated than real DSP. Complex DSP transforms are highly theoretical and mathematical; to use them efficiently and professionally requires a large amount of mathematics study and practical experience. Complex math makes the mathematical expressions used in DSP more compact and solves the problems which real math cannot deal with. Complex DSP techniques can complement our understanding of how physical systems perform but to achieve this, we are faced with the necessity of dealing with extensive sophisticated mathematics. For DSP professionals there comes a point at which they have no real choice since the study of complex number mathematics is the foundation of DSP.
The DFT of Finite-Length Time-Reversed Sequences
Recently I've been reading papers on underwater acoustic communications systems and this caused me to investigate the frequency-domain effects of time-reversal of time-domain sequences. I created this article because there is so little coverage of this topic in the literature of DSP.
