## Wavelets II - Vanishing Moments and Spectral Factorization

In the previous blog post I described the workings of the Fast Wavelet Transform (FWT) and how wavelets and filters are related. As promised, in this article we will see how to construct useful filters. Concretely, we will find a way to calculate the Daubechies filters, named after Ingrid Daubechies, who invented them and also laid much of the mathematical foundations for wavelet analysis.

Besides the content of the last post, you should be familiar with basic complex algebra, the...

## Wavelets I - From Filter Banks to the Dilation Equation

This is the first in what I hope will be a series of posts about wavelets, particularly about the Fast Wavelet Transform (FWT). The FWT is extremely useful in practice and also very interesting from a theoretical point of view. Of course there are already plenty of resources, but I found them tending to be either simple implementation guides that do not touch on the many interesting and sometimes crucial connections. Or they are highly mathematical and definition-heavy, for a...

## Digital Envelope Detection: The Good, the Bad, and the Ugly

Recently I've been thinking about the process of envelope detection. Tutorial information on this topic is readily available but that information is spread out over a number of DSP textbooks and many Internet web sites. The purpose of this blog is to summarize various digital envelope detection methods in one place.

Here I focus of envelope detection as it is applied to an amplitude-fluctuating sinusoidal signal where the positive-amplitude fluctuations (the sinusoid's envelope)...

## Autocorrelation and the case of the missing fundamental

[UPDATED January 25, 2016: One of the examples was broken, also the IPython notebook links now point to nbviewer, where you can hear the examples.]

For sounds with simple harmonic structure, the pitch we perceive is usually the fundamental frequency, even if it is not dominant. For example, here's the spectrum of a half-second recording of a saxophone.

The first three peaks are at 464, 928, and 1392 Hz. The pitch we perceive is the fundamental, 464 Hz, which is close to...

## Generating pink noise

In one of his most famous columns for Scientific American, Martin Gardner wrote about pink noise and its relation to fractal music. The article was based on a 1978 paper by Voss and Clarke, which presents, among other things, a simple algorithm for generating pink noise, also known as 1/f noise.

The fundamental idea of the algorithm is to add up several sequences of uniform random numbers that get updated at different rates. The first source gets updated at...

## Amplitude modulation and the sampling theorem

I am working on the 11th and probably final chapter of Think DSP, which follows material my colleague Siddhartan Govindasamy developed for a class at Olin College. He introduces amplitude modulation as a clever way to sneak up on the Nyquist–Shannon sampling theorem.

Most of the code for the chapter is done: you can check it out in this IPython notebook. I haven't written the text yet, but I'll outline it here, and paste in the key figures.

Convolution...

## 60 numbers

This blog title is inspired from the Peabody award-winning Radiolab episode 60 words. Radiolab is well known for its insightful stories on Science with an amazing sound design. Today's blog is about decoding Radiolab's theme music (actually, just a small "Mmm Newewe" part of it hereafter called the Radiolab sound). I have been taking this online course on Audio Signal Processing where we are taught how to analyze sounds...

## Multilayer Perceptrons and Event Classification with data from CODEC using Scilab and Weka

For my first blog, I thought I would introduce the reader to Scilab [1] and Weka [2]. In order to illustrate how they work, I will put together a script in Scilab that will sample using the microphone and CODEC on your PC and save the waveform as a CSV file. Then, we can take the CSV file and open it in Weka. Once in Weka, we have a lot of paths to consider in order to classify it. I use the term classify loosely since there are many things you can do with data sets...

## Python scipy.signal IIR Filtering: An Example

In the last posts I reviewed how to use the Python scipy.signal package to design digital infinite impulse response (IIR) filters, specifically, using the iirdesign function (IIR design I and IIR design II ). In this post I am going to conclude the IIR filter design review with an example.

Previous posts:

## Beat Notes: An Interesting Observation

Some weeks ago a friend of mine, a long time radio engineer as well as a piano player, called and asked me,

"When I travel in a DC-9 aircraft, and I sit back near the engines, I hear this fairly loud unpleasant whump whump whump whump sound. The frequency of that sound is, maybe, two cycles per second. I think that sound is a beat frequency because the DC-9's engines are turning at a slightly different number of revolutions per second. My question is, what sort of mechanism in the airplane...

## Digital Envelope Detection: The Good, the Bad, and the Ugly

Recently I've been thinking about the process of envelope detection. Tutorial information on this topic is readily available but that information is spread out over a number of DSP textbooks and many Internet web sites. The purpose of this blog is to summarize various digital envelope detection methods in one place.

Here I focus of envelope detection as it is applied to an amplitude-fluctuating sinusoidal signal where the positive-amplitude fluctuations (the sinusoid's envelope)...

## Python scipy.signal IIR Filtering: An Example

In the last posts I reviewed how to use the Python scipy.signal package to design digital infinite impulse response (IIR) filters, specifically, using the iirdesign function (IIR design I and IIR design II ). In this post I am going to conclude the IIR filter design review with an example.

Previous posts:

## Music/Audio Signal Processing

Greetings,

This is my blog from the point of view of a music/audio DSP research engineer / educator. It is informal and largely nontechnical because nearly everything I have to say about signal processing is (or will be) somewhere in my four-book series: Mathematics of DFT with Audio Applications, Introduction to Digital Filters, Physical Audio Signal Processing and

## Wavelets I - From Filter Banks to the Dilation Equation

This is the first in what I hope will be a series of posts about wavelets, particularly about the Fast Wavelet Transform (FWT). The FWT is extremely useful in practice and also very interesting from a theoretical point of view. Of course there are already plenty of resources, but I found them tending to be either simple implementation guides that do not touch on the many interesting and sometimes crucial connections. Or they are highly mathematical and definition-heavy, for a...

## Wavelets II - Vanishing Moments and Spectral Factorization

In the previous blog post I described the workings of the Fast Wavelet Transform (FWT) and how wavelets and filters are related. As promised, in this article we will see how to construct useful filters. Concretely, we will find a way to calculate the Daubechies filters, named after Ingrid Daubechies, who invented them and also laid much of the mathematical foundations for wavelet analysis.

Besides the content of the last post, you should be familiar with basic complex algebra, the...

## Generating pink noise

In one of his most famous columns for Scientific American, Martin Gardner wrote about pink noise and its relation to fractal music. The article was based on a 1978 paper by Voss and Clarke, which presents, among other things, a simple algorithm for generating pink noise, also known as 1/f noise.

The fundamental idea of the algorithm is to add up several sequences of uniform random numbers that get updated at different rates. The first source gets updated at...

## Beat Notes: An Interesting Observation

Some weeks ago a friend of mine, a long time radio engineer as well as a piano player, called and asked me,

"When I travel in a DC-9 aircraft, and I sit back near the engines, I hear this fairly loud unpleasant whump whump whump whump sound. The frequency of that sound is, maybe, two cycles per second. I think that sound is a beat frequency because the DC-9's engines are turning at a slightly different number of revolutions per second. My question is, what sort of mechanism in the airplane...

## Amplitude modulation and the sampling theorem

I am working on the 11th and probably final chapter of Think DSP, which follows material my colleague Siddhartan Govindasamy developed for a class at Olin College. He introduces amplitude modulation as a clever way to sneak up on the Nyquist–Shannon sampling theorem.

Most of the code for the chapter is done: you can check it out in this IPython notebook. I haven't written the text yet, but I'll outline it here, and paste in the key figures.

Convolution...

## Multilayer Perceptrons and Event Classification with data from CODEC using Scilab and Weka

For my first blog, I thought I would introduce the reader to Scilab [1] and Weka [2]. In order to illustrate how they work, I will put together a script in Scilab that will sample using the microphone and CODEC on your PC and save the waveform as a CSV file. Then, we can take the CSV file and open it in Weka. Once in Weka, we have a lot of paths to consider in order to classify it. I use the term classify loosely since there are many things you can do with data sets...

## Autocorrelation and the case of the missing fundamental

[UPDATED January 25, 2016: One of the examples was broken, also the IPython notebook links now point to nbviewer, where you can hear the examples.]

For sounds with simple harmonic structure, the pitch we perceive is usually the fundamental frequency, even if it is not dominant. For example, here's the spectrum of a half-second recording of a saxophone.

The first three peaks are at 464, 928, and 1392 Hz. The pitch we perceive is the fundamental, 464 Hz, which is close to...

## Python scipy.signal IIR Filtering: An Example

In the last posts I reviewed how to use the Python scipy.signal package to design digital infinite impulse response (IIR) filters, specifically, using the iirdesign function (IIR design I and IIR design II ). In this post I am going to conclude the IIR filter design review with an example.

Previous posts:

## Music/Audio Signal Processing

Greetings,

This is my blog from the point of view of a music/audio DSP research engineer / educator. It is informal and largely nontechnical because nearly everything I have to say about signal processing is (or will be) somewhere in my four-book series: Mathematics of DFT with Audio Applications, Introduction to Digital Filters, Physical Audio Signal Processing and

## Digital Envelope Detection: The Good, the Bad, and the Ugly

Recently I've been thinking about the process of envelope detection. Tutorial information on this topic is readily available but that information is spread out over a number of DSP textbooks and many Internet web sites. The purpose of this blog is to summarize various digital envelope detection methods in one place.

Here I focus of envelope detection as it is applied to an amplitude-fluctuating sinusoidal signal where the positive-amplitude fluctuations (the sinusoid's envelope)...

## Beat Notes: An Interesting Observation

Some weeks ago a friend of mine, a long time radio engineer as well as a piano player, called and asked me,

"When I travel in a DC-9 aircraft, and I sit back near the engines, I hear this fairly loud unpleasant whump whump whump whump sound. The frequency of that sound is, maybe, two cycles per second. I think that sound is a beat frequency because the DC-9's engines are turning at a slightly different number of revolutions per second. My question is, what sort of mechanism in the airplane...

## Wavelets I - From Filter Banks to the Dilation Equation

This is the first in what I hope will be a series of posts about wavelets, particularly about the Fast Wavelet Transform (FWT). The FWT is extremely useful in practice and also very interesting from a theoretical point of view. Of course there are already plenty of resources, but I found them tending to be either simple implementation guides that do not touch on the many interesting and sometimes crucial connections. Or they are highly mathematical and definition-heavy, for a...

## Amplitude modulation and the sampling theorem

I am working on the 11th and probably final chapter of Think DSP, which follows material my colleague Siddhartan Govindasamy developed for a class at Olin College. He introduces amplitude modulation as a clever way to sneak up on the Nyquist–Shannon sampling theorem.

Most of the code for the chapter is done: you can check it out in this IPython notebook. I haven't written the text yet, but I'll outline it here, and paste in the key figures.

Convolution...

## How to build a test environment for audio DSP code in C using GNU/Linux

This may be useful for people that want to try audio DSP algorithms in C.

You will need:

Hardware: You will need regular a PC (not older than a Pentium 3) or small PC will do the job. Sound card: This PC should have a soundcard, at least with one mic input and one headphones output. I/O: You will need, speakers or headphones and a microphone, or some cable the connect the source of the sound to the PC that will be doing the audio processing. Software: You will need a GNU/Linux...## Generating pink noise

In one of his most famous columns for Scientific American, Martin Gardner wrote about pink noise and its relation to fractal music. The article was based on a 1978 paper by Voss and Clarke, which presents, among other things, a simple algorithm for generating pink noise, also known as 1/f noise.

The fundamental idea of the algorithm is to add up several sequences of uniform random numbers that get updated at different rates. The first source gets updated at...

## Fitting Filters to Measured Amplitude Response Data Using invfreqz in Matlab

This blog post has been moved to the code snippet section and can now be found HERE. Please update your bookmark. Thanks!

## Autocorrelation and the case of the missing fundamental

[UPDATED January 25, 2016: One of the examples was broken, also the IPython notebook links now point to nbviewer, where you can hear the examples.]

For sounds with simple harmonic structure, the pitch we perceive is usually the fundamental frequency, even if it is not dominant. For example, here's the spectrum of a half-second recording of a saxophone.

The first three peaks are at 464, 928, and 1392 Hz. The pitch we perceive is the fundamental, 464 Hz, which is close to...